Follow My Voice - With the Music of Hedwig

• One record producer, the creators of Hedwig and the Angry Inch and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk High School-the first accredited high school in the country for LGBTQ youth. Follow My Voice: With the Music of Hedwig weaves the compelling, courageous stories of four students at this controversial sc

One record producer, the creators of Hedwig and the Angry Inch and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk High School-the first accredited high school in the country for LGBTQ youth.

Follow My Voice: With the Music of Hedwig weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of Wig in a Box, the album whose songs poi! gnantly echo these teens struggles and aspirations. Audiences around the world became instant Hed Heads as Hedwig, like everyone who was ever young, questions TheOrigin of Love, dreams of a Sugar Daddy, feels like a Freak and curses a Wicked Little Town.

Meanwhile, the little known Harvey Milk School for at-risk youth, operating for 20 years in New York City s East Village quickly became the subject of international news when it received accreditation and financial support from NYC. A furious controversy over public funding ignite passionate self-determination from the kids and a deeper commitment from the artists who them-selves know what it s like to be outside the mainstream.

Through a dramatic and vibrant combination of verité documentation, student video diaries, and rare in-studio scenes of artists recording tracks, Follow My Voice offers a powerful look at this unlikely intersection of youth, gender and rock. Includes Yoko Ono, Rufus Wainwr! ight, Cyndi Lauper, Ben Folds, The Breeders, Yo La Tengo, John! Cameron Mitchell, They Might Be Giants and more.

Happily N'ever After (Widescreen Edition)

• Actors: George Carlin, John Di Maggio, Andy Dick, Sarah Michelle Gellar, Lisa Kaplan.
• Format: AC-3, Animated, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC.
• Language: English. Subtitles: English, Spanish.
• Region: Region 1 (U.S. and Canada only).
• Rated PG. Run Time: 87 minutes.

Once upon a time will n'ever be the same again. Sleeping Beauty, Rapunzel, and Jack from the Beanstalk are all about to live happily ever after when the balance between good and evil gets thrown out of whack. It's up to Cinderella - aka Ella (Sarah Michelle Gellar) - to save the day by taking on her power-hungry stepmother, Frieda (Sigourney Weaver). But this time, Ella will have to do it without her Prince Charming (Patrick Warburton) as she joins forces with an unlikely army of dwarves, faries, and the Wizard's bumbling assistants, Mambo (Andy Dick) and Munk (! Wallace Shawn). Your favorite fairy tales are turned upside down in this funny, fast-paced adventure that teaches the lesson that - no matter who you are - you have the power to affect how your story turns out!With the success of Shrek, more irreverent animated fairy tales (like Hoodwinked) were inevitable. Unfortunately, the original blockbuster set the bar so high--for characterization, humor, and heart--that other such 'toons are sure to seem redundant. Neither as clever nor as intricately rendered as the tale of the great green ogre, Happily N'Ever After is no exception. That said, small children may find it easier to follow, i.e. no Matrix references. As with the live-action Ella Enchanted, the CGI-animated story revolves around a downtrodden lass named Ella (Sarah Michelle Gellar). Her full name, naturally, is Cinderella. The man of her dreams is pea-brained Prince Humperdink (Patrick Warburton). Little does she know that royal dishwasher R! ick (Freddie Prinze Jr., Gellar's real-life husband) has his e! ye on he r. When the Wizard (George Carlin) goes off on a golfing vacation, he leaves bumbling assistants Munk (Wallace Shawn) and Mambo (Andy Dick) in charge. In no time at all, they get into a scuffle, and Ella's evil stepmother, Frieda (Sigourney Weaver), swoops in to take control of Fairy Tale Land. Her first order of business: Let the bad guys win. Consequently, Sleeping Beauty continues to doze, the Seven Dwarves wind up in jail, etc. Ella joins forces with Rick to set things right. Along the way, she realizes that the lowly lad has more princely qualities than the actual prince, and Frieda's reign turns out to be shorter than intended. It's not a bad idea, but the movie drags and the tunes are unmemorable. --Kathleen C. Fennessy

• In this hilarious series set in a real Australian high school, actor/comedian Chris Lilley stars as three different characters: a vain drama teacher, a self-absorbed boy, and a haughty female exchange student. Hysterical, absurd and frequently shocking, Summer Heights High reveals a world where small issues become huge, social groups are critical, young minds are molded, hopes are shattered and dr

From the author of The Works: Anatomy of a City comes a gorgeous graphic tour through the inner workings of skyscrapers.

The skyscraper is perhaps the most recognizable icon of the modern urban landscape. Providing offices, homes, restaurants, and shopping to thousands of inhabitants, modern skyscrapers function as small cities- with infrastructure not unlike that hidden beneath our streets. Clean water is provided to floors thousands of feet in the sky; elevators ! move people swiftly and safely throughout the building; and telecom networks allow virtual meetings with people on other continents. How are these services-considered essential, but largely taken for granted- possible in such a complex structure? What does it really take to sustain human life at such enormous heights?

Exploring the interconnected systems that make life livable in the sky is the task of Kate Ascher's stunningly illustrated The Heights: Anatomy of a Skyscraper. Ascher examines skyscrapers from around the world to learn how these incredible structures operate. Just how do skyscrapers sway in the wind, and why exactly is that a good idea? How can a modern elevator be as fast as an airplane? Why are skyscrapers in Asia safer than those in the United States? Have new safeguards been designed to protect skyscrapers from terrorism?

What happens when the power goes out in a building so tall? Why are all modern skyscrapers seemingly made! of glass, and how can that be safe? How do skyscrapers age, ! and how can they be maintained over decades of habitation? No detail is too small, no difficulty too big to escape Ascher's encyclopedic eye.

Along the way, The Heights introduces the reader to every type of person involved in designing, building, and maintaining a skyscraper: the designers who calculate how weight and weather will affect their structures, the workers who dig the foundations and raise the lightning rods, the crews who clean the windows and maintain the air ducts, and the firefighters-whose special equipment allows blazes to be fought at unprecedented heights.

More than a technical survey, Ascher's work is a triumphant ode to the most monumental aspect of modern civilization. Saturated with vivid illustrations and unforgettable anecdotes, The Heights is the ultimate guide to the way things work in the skyscraper.

A Look Inside The Heights

(Click on Images to Enlarge)

Five New Yorkers must make decisions overnight that will affect their futures.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-MAY-2006
Media Type: DVDWith wit and sympathy, Heights traces the crossed paths and messy lives of New York theater people, journalists, and artists. At the middle of everything is Isabel (Elizabeth Banks, The Sisters), a struggling photographer whose mother, Diana (Glenn Close, Dangerous Liaisons), is the grand dame of the theater world. Isabel's fiance, Jonathan (James Marsden, X-Men), is being pursued by a writer for Vanity Fair about his relationship with a lionized photographer. Meanwhile, Diana, though married, casts her eye on a young actor named Alec (Jesse Bradford, Happy Endings), who lives in the same building as Isabel... This only begins to unravel the tangle, but a clever script, clean direction, and ! nicely pitched performances keep Heights from tripping over its own plot lines or sagging into soap opera. Close, in particular, has a blast doing an uncanny Meryl Streep impression, and deft supporting performances by Isabella Rosselini (Blue Velvet), Eric Bogosian (Talk Radio), George Segal (California Split), and musician Rufus Wainwright keep the edges of the stories lively. Heights doesn't achieve the emotional fullness of the best of Robert Altman's ensemble movies, but it stakes a claim in that cinematic territory. --Bret FetzerThis is a beautifully designed, 6"x9" large edition of Emily Brontë's classic WUTHERING HEIGHTS.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may! find it for free on the web. Purchase of the Kindle edition i! ncludes wireless delivery.A "devilishly delightful" (Bookpage) new novel from an Academy Award-nominated screenwriter and the author of What's Eating Gilbert Grape.

Tim and Kate Welch are seemingly the last middle-class family in the exclusive neighborhood of Brooklyn Heights, NewYork. Tim is a popular history teacher, and an ordinary guy. Kate is not ordinary, but she aspires to be. Brought up by a hippie mother, Kate stays home with their two young sons trying to be the responsible parent she never had. But their neat and tidy world is turned upside down when Anna Brody- beautiful, wealthy, and impulsive-moves into the most expensive brownstone in Brooklyn, and draws Kate and Tim into her world.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sis! ter Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J.! Taylor, ballet, opera, and song.Kindle Description:Now update! d with a n Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights ar! gued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.In this hilarious series set in a real Australian high school, actor/comedian Chris Lilley stars as three different characters: a vain drama teacher, a self-absorbed boy, and a haughty female exchange student. Hysterical, absurd and frequently shocking, Summer Heights High reveals a world where small issues become huge, social groups are critical, young minds are molded, hopes are shattered and dreams are realized.

DVD Features:
Deleted Scenes
Outtakes

Australian writer/performer Chris Lilley specializes in the comedy of narcissism. All three of his characters in the mockumentary series Summer Heights High are blindly, maddeningly self-absorbed: Mr. G, a drama teacher who writes and direct! s his own musicals; Ja'mie, a preening 16-year-old from a weal! thy priv ate school who views her year at public school as purgatory; and Jonah, a Tongan juvenile delinquent who's been previously expelled from two other schools. The series' 8 episodes follow these three as they seek to find some form of fame and adulation.Mr. G struggles to create a musical about a student who recently died of a drug overdose... only it becomes increasingly about a heroic drama teacher whose dog dies in an accident; Ja'mie desperately wants to stage a formal dance and will lie, bribe, and manipulate to do it; and Jonah wants to do breakdancing with his posse, but he's simply incapable of keeping himself from insulting his teachers and getting into fights with other students. While Mr. G and Ja'mie are blinkered monsters, Jonah verges on tragic, as he stumbles towards increasing self-destruction. The thoroughness of Lilley's creations is impressive, as the comedian loses himself fully in these characters. Still, some viewers may find them more aggravating than fun! ny; just a hint of self-awareness might have made them a little easier to spend time with. But for anyone who connects with Lilley's humor, Summer Heights High will be a feast of juicy, unfiltered, rampaging egomania. --Bret Fetzer

Stills from Summer Heights High (Click for larger image)

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EDtv : Widescreen Edition

• Widescreen

Video store clerk Ed agrees to have his life filmed by a camera crew for a TV network.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 4-MAR-2003
Media Type: DVDThe third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, un! surprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeThe third entry of 1998-99! 's cinematic TV trilogy kind of got lost in the shuffle follow! ing T he Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the netwo! rk executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."

Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV show. Almost overnight, the program becomes a hit, and suddenly this goofy but ! engaging video clerk is a national celebrity! Everything's fab! ulous... until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.

Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as ! Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit thr! ough or one that clocks in under two hours but has a lot of pl! ot holes ; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David Kronkedvd