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Central Station

  • Portuguese with English subtitles
  • Interactive Menus
  • Audio Commentary by Walter Salles, Arthur Cohn, and Fernanda Montenegro
  • Talent and Filmographies
  • Widescreen format
Two very unlikely souls, a motherless young boy and a lonely retired school teacher become inextricably linked and form an uncommon bond as they venture from the bustling city to Brazil's remote northeast region in search of the boy's father.
Genre: Foreign Film - Portugese
Rating: R
Release Date: 13-JUL-1999
Media Type: DVDIn the opening scenes of Central Station, colorful crowds of Brazilians stream into and out of a Rio de Janeiro train, pushing through doors and windows. You're immediately pulled into the brutal vitality of a nation in motion, setting the tone for a picturesque road movie that charts Brazil's renaissance in a little boy's sear! ch for his father and an old woman's emotional reawakening. When we first meet Dora (Fernanda Montenegro), this frozen-hearted, sour-faced woman is the epitome of immobility: day after day, she sits in the train station selling her letter-writing skills to all comers, but often doesn't bother to mail these precious messages. When a woman who's paid Dora to write a pleading note to her son's long-missing dad gets run over by a bus, the child, Josue (Vinicius de Oliveira), is up for grabs. (The summary execution of a thieving street kid--in longshot--underscores the seriousness of this waif's plight.) After an abortive attempt to sell Josue for a new TV, the aspiring couch potato finds herself reluctantly propelled into an occasionally Fellini-esque odyssey through the hinterlands of Brazil's sertäo, where Dora and her sidekick find unexpected faith and family. Former documentary filmmaker Walter Salles (Foreign Land) mixes magic with realism in ! his appreciation of striking faces and places, but Central! Station is primarily fueled by the tough/tender performances of Montenegro, Brazil's Judy Dench, and de Oliveira, an airport shoeshine boy Salles cast over 1,500 other hopefuls. (Montenegro was nominated for a Best Actress Oscar, and Central Station was in the running for Best Foreign Language Film.) No cloyingly cute child-star, de Oliveira plays Josue as a bracingly idiosyncratic brat. And watching Dora's face and soul slowly, unwillingly unclench as she gets back in motion--and emotion--is potent pleasure, even if Salles's trip does dead-end in soap opera as his Brazilian pilgrim's progress winds down. --Kathleen Murphy

Blade Collection: 4 Film Favorites

Job One: Experiences of New Professionals in Student Affairs (American College Personnel Association Series)

  • ISBN13: 9780761827849
  • Condition: New
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Maybe I Should…Case Studies on Ethics for Student Affairs Professionals is designed to help graduate students and new to midlevel student affairs professionals heighten their knowledge of sensitivities to professional ethics in practice. Hamrick and Benjamin encourage professionals to identify and articulate plausibleâ€"as well as preferredâ€"strategies for addressing ethically problematic situations, and develop rationales to justify particular ethical decisions and actions. Readers are provided with strategies for analyzing cases as well as a number of targeted cases for consideration and analysis. Additionally, resources and suggestions are offered to instructors and facilitators who seek t! o incorporate professional ethics and case study analysis into formal educational or staff development activities in student affairs.The Mexican-American War (1846-1848) found Americans on new terrain. A republic founded on the principle of armed defense of freedom was now going to war on behalf of Manifest Destiny, seeking to conquer an unfamiliar nation and people. Through an examination of rank-and-file soldiers, Paul Foos sheds new light on the war and its effect on attitudes toward other races and nationalities that stood in the way of American expansionism.

Drawing on wartime diaries and letters not previously examined by scholars, Foos shows that the experience of soldiers in the war differed radically from the positive, patriotic image trumpeted by political and military leaders seeking recruits for a volunteer army. Promised access to land, economic opportunity, and political equality, the enlistees instead found themselves subjected to unusually harsh disciplin! e and harrowing battle conditions. As a result, some soldiers ! adapted the rhetoric of Manifest Destiny to their own purposes, taking for themselves what had been promised, often by looting the Mexican countryside or committing racial and sexual atrocities. Others deserted the army to fight for the enemy or seek employment in the West. These acts, Foos argues, along with the government's tacit acceptance of them, translated into a more violent, damaging variety of Manifest Destiny.In Job One, editors Peter Magolda and Jill Carnaghi place new professionals' stories "center stage." The book focuses on nine narratives written by new professionals about their introduction and transitions into Student Affairs work. These stories document the joys and angst felt as new professionals prepare to transition from graduate school-to-work, search for their first Student Affairs position, assimilate campus norms, formulate a professional identity, satisfy supervisors' expectations, mediate cultural conflicts, and remain true to their personal and pro! fessional values. This book is a useful resource inviting new professionals, supervisors, and faculty to think differently about the on-going education and needs of new professionals, while offering a new perspective for optimizing new professionals' experiences. Co-published with American College Personnel Association.

The Exorcist (The Version You've Never Seen)

Boys of Baraka Poster Movie 11x17 Devon Brown Richard Keyser Justin Mackall Romesh Vance

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
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  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Boys of Baraka 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.If everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part,! is to demonstrate that the toxic environment of Baltimore, an! d its ne gative impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect.

We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but ! in showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Boys of Baraka reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Devil's Own (A Clan MacAlpin Novel)

  • ISBN13: 9780425240182
  • Condition: New
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From the start, Kerry Bishop anticipated danger: She expected unimaginable fear. In a terrifying race to save nine children, she prepared for the fight of her life. But she wasn’t prepared for a passion almost as dangerous as the mission she had undertaken. At the first, Linc O’Neil appeared to be exactly the kind of man Kerry needed: strong, ruthless and definitely too drunk to care about helping her steal a truck to get past the guards. Then she discovered her mistake. Linc was not a hardened mercenary; the heavy gear he carried was not guns but cameras. She had hijacked a Pulitzer Prize-winning journalist. Now he was their last hope. Dependent on a stranger, Kerry refused to let unexpected des! ire complicate their mission. If Linc had the mistaken impression that she was a woman of the church, she was not about to correct him. Certainly, it kept him at arm’s length, which was just where she wanted this man who, despite his bad attitude and constant stream of threats, was their one chance for survival through fifty miles of treacherous jungle. And survival was all they could think about. But if they succeeded, what then? Could Kerry tell him the truth: that she was no more a woman sworn to chastity than she was immune to the powerful effect he had on her? That she desired him more and more? If freedom came, would they be free to love?
On July 13, 1863, the largest riots in American history broke out on the streets of New York City, nearly destroying in four days the financial, industrial, and commercial hub of the nation. Placing the riots in the context of social tension and reform from the 1840s through the 1870s, Barnet Schecter sheds new light on t! he Civil War era and on the history of protest and reform in A! merica.< /div>
William Carey has played many roles in his thirty-two years of life. Though born to privilege, he fled his disapproving family and, purely out of spite, devoted himself to a life of danger and infamy. William never thought twice about his self-destructive behavior until he met a passionate woman who showed him how to harness his rebellious nature and return to London, his family, and society as a respectable gentleman of fortune. But William's beloved wife is six years gone, and with her his joie de vivre. William devotes his days to the pursuit of empty pleasure until the night William's brother asks a small favor by which William meets a young man who ignites a spark in him he'd thought long extinguished. Stephen is fiery and passionate, handsome and mysterious-exactly what a fallen devil needs to stir the ashes of his heart. Unwilling to lose that spark now that he has found it again, William devises a scheme to claim Stephen for his own, but Stephen is beyo! nd reluctant, with another benefactor and secrets he will not share. William will need more than cunning to win Stephen's trust and love. He'll need all the luck he can get.When PI Malcolm "Mac" Connally's former lover turns up dead in a dumpster in a town several hundred miles from where she's supposed to be no one seems all that concerned. So he takes it upon himself, despite the protests of her family and the local authorities, to find out what happened. His quest leads him to a new lover and a view into a Midwest town's dark underside.When PI Malcolm "Mac" Connally's former lover turns up dead in a dumpster in a town several hundred miles from where she's supposed to be no one seems all that concerned. So he takes it upon himself, despite the protests of her family and the local authorities, to find out what happened. His quest leads him to a new lover and a view into a Midwest town's dark underside.The film The Longest Day brought international fame to the D-Day captur! e of the "Pegasus" bridge by British glider troops. The Oxford! and Buc ks Light Infantry were one of six infantry regiments selected to serve as glider units with Britain's two airborne divisions in World War II. Denys Edwards was part of the Oxford and Bucks company that captured Pegasus Bridge and served with the regiment to the end of the war.
Harry Ludlow, forced out of the Royal Navy, becomes a privateer in partnership with his younger brother James. But for the Ludlows, murder and intrigue take more of their time than hunting fat trading vessels. Harry and James find themselves aboard the Navy's 74-gun Magnanime. In command is a captain with whom Harry has crossed swords in the past. When James is found standing over the body of a dead officer, Harry's feud shifts into the background.
A famous writer living in the South of France owes his extraordinary literary career to a mysterious spirit, a supernatural muse that remains hidden until the writer's death when the spirit is transferred to an up-and-coming but unformed literary! hopeful. Winner of the Guardian Fiction Prize.This modern version of the Faust legend has an old man of letters pass down to a young writer an ancient manuscript which bestows the gift of easy literary style and fluency -- and consequently head-turning success -- while blocking entirely any genuine creative power. To underline the devilishness of the bargain, the young author is seen to gradually throw away normal human decency as he gives in to overwhelming self-indulgence, and comes under the sensual sway of the old man's seductive mistress. On one level then, pure Faust. On another, Alan Judd's book, winner of the 1991 Guardian Fiction Prize, is a sophisticated self-referential commentary on the cliquish post-modern literary scene. This stylish and substantial novel is a clever attack on those who elevate insubstantial style.After surviving slavery, Aiden MacAlpin has nothing but thoughts of vengeance. When his tutor Elspeth learns a secret to his past, it thr! usts them both into a game of passion and deception that neith! er may s urvive.

The Banger Sisters

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