Sabtu, 31 Desember 2011

Biography: Amelia Earhart - Queen of the Air

  • She was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious dis
Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure,! Amelia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 Dolby Digital
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first airborne woman to make the trip; more triumphantly, her 1932 solo transatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have ! the ingredients for success, but the resulting film is a truly! dull, a lmost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on the same subject, albeit with prettier photography. --Robert HortonWhen Amelia's mom givs her a journal for her ninth birthday, Amelia has a place to share her truest feelings at last!Two-time Academy Award® Winner Hilary Swank delivers an unforgettable performance as Amelia Earhart, the legendary American aviatrix who boldly flew into the annals of history. Richard Gere co-stars! as her charismatic business partner and adoring husband George Putnam. Bound by ambition and love, their enduring marriage could not be broken by Amelia's determination to fly -- nor her passionate affair with Gene Vidal (Ewan McGregor). Equal parts gripping drama, stirring romance and epic adventure, Amelia will take your breath away and send your spirit soaring!
  • Audio: English: 5.1 DTS HD Master Audio
  • Language: Dubbed: English / Subtitled: English, French & Spanish
  • Theatrical Aspect Ratio: Widescreen: 2.35:1
With her lanky Middle-America looks and her toothy grin, Hilary Swank is a natural fit for the adventurous figure of Amelia Earhart, the world's most famous aviatrix. Amelia ticks through the major achievements of Earhart's career: her 1928 flight across the Atlantic (as a passenger, not a pilot), which made her the first! airborne woman to make the trip; more triumphantly, her 1932 ! solo tra nsatlantic journey; her marriage to publisher George Putnam; and of course the mysterious 1937 around-the-world flight that ended in her vanishing, with engineer Fred Noonan, somewhere near Howland Island in the mid Pacific. With Swank in her pilot togs and director Mira Nair at the helm, the project would seem to have the ingredients for success, but the resulting film is a truly dull, almost featureless affair. The big flights themselves have innate appeal, but otherwise the emphasis is on Amelia's love life, shared between Putnam (Richard Gere) and the dashing Gene Vidal (Ewan McGregor)--who, the film clumsily keeps reminding us, is the father of Gore Vidal, seen here as a precocious tyke. A smidgen of Amelia's proto-feminist attitude is included, including her intriguing take on her marriage agreement, but nothing actually cuts deep or generates interest. After a while Amelia becomes a series of events, told with less excitement than the average documentary on t! he same subject, albeit with prettier photography. --Robert HortonEveryone's favorite literal-minded housekeeper, Amelia Bedelia, celebrates her 40th Anniversary in a three-book I Can Read box set.She was an uncommon heroine, a legendary aviator, and the focus of one of the greatest mysteries of all time. A daredevil of unimaginable proportions, Amelia Earhart was destined to make her mark on history. Even as she was wowing the world by annihilating existing aviation records, her unconventional short hair, pants, and leather jacket had already made her an undisputed icon. Her mysterious disappearance while attempting to fly around the world has long been at the center of great debate. What really happened to one of the world s most promising aviators? Drawing on extensive archival footage, interviews, and newly discovered evidence, BIOTM examines Earhart s dramatic story, providing an unforgettable look at the life and legend of the courageous and groundbreaking av! iator

Flags of Our Fathers First Edition In Dust Jacket

  • Flags of Our Fathers
  • [Flags of Our Fathers]
#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest ba! ttles of the war was the struggle for the island of Iwo Jima, ! which cu lminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never kne! w the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) w! hile emphasizing how three of the surviving flag-raisers (play! ed by Ad am Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models dur! ing times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other World War II DVDs

Essential DVDs by Director! Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)







The classic first-hand WWII narrative that chronicles the Marines’ savage five-day struggle to wrest Mount Suribachi from its tenacious Japanese defenders during their 35 day battle for Iwo Jima in 1945.  Revised with a new introduction by the author and recently discovered photos, this book served as invaluable source material both for James Bradley’s bestseller Flags of Our Fathers as well as Clint Eastwood’s acclaimed film of the same name.
New! Fast shipping!FLAGS OF OUR FATHERS SPECIAL COLLECTO - DVD MovieThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by J! ames Bradley (with Ron Powers), and adapted by Million Doll! ar Baby< /i> screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctant! ly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate f! utility of war. Eastwood's follow-up film, Letters from Iwo! Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers


Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

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Flags of Our Fathers

Jumat, 30 Desember 2011

Born Romantic: Music From The Motion Picture (Original Soundtrack)

  • OST
  • O.S.T.
  • 5099750182420
Three young meneach cursed with two left feetfind that the right steps to salsa dancing can lead to love in this hilarious romantic film"a feel-good date movie in the Four Weddings mold" (Uncut)! Starring Craig Ferguson ("The Drew Carey Show"), Ian Hart (Harry Potter and the Sorcerer's Stone), Jane Horrocks ("Absolutely Fabulous"), Adrian Lester, Catherine McCormack,Jimi Mistry, David Morrissey and Olivia Williams (The Sixth Sense), Born Romantic will take you for a dizzying spin through three quirky courtshipsand leave you "smiling and believing that love really can conquer all" (Good Housekeeping)! A certified lounge lotharioseeks to heat things up with an art historian who's cooled on the idea of love. A failed musician wants to strum the right chord with the bride he jilted years earlier. And a dyslexic mugger with a chloroform-doused cloth finds ! himself knocked out by a pretty grave attendant. They've got their workcut out for them. And yet, at a local club pulsating with the hot sounds of salsa music, any one ofthese three could find the answer to his romantic quandary if they can only find the rhythm in time.A cheeky comedy about love's labor being well beyond lost, Born Romantic stutters out of the gate and never quite recovers. Perhaps it's the gaggle of local quips, jokes based on British television personalities, for instance, or the cameo-like nature of its ever-revolving cast, but director David Kane can't seem to sit still long enough to artfully set up his punch lines--anathema to a feature-length comedy. Set mostly in a London salsa club, the film trails behind a series of lonely thirtysomething singles as they search out one-night stands in the hopes of stumbling upon something more meaningful, namely love. As they shuttle to and fro in late-night minicabs, we're afforded insight into their short! comings, past disappointments, shagging abilities, and ostensi! ble char ms, the cab serving as both confession booth and makeshift bedroom. Featuring a cast of recognizably talented faces, including Jimi Mistry (East Is East) and Olivia Williams (Rushmore), Born Romantic unfortunately never manages to shake its initial impression of being an inflated sitcom better pared down for television. --Fionn MeadeTrack listing 1. Acuyuye - DLG // 2. Oye Como Va - Feliciano, Cheo // 3. Ella Fue - Fania Allstars // 4. Love - Cole, Nat 'King' // 5. Indestructible - Salinas, Robby // 6. Ran Kan Kan - Puente, Tito // 7. Pintame - Crespo, Elvis // 8. Born Romantic - Boswell, Simon // 9. Fear And Love - Morcheeba // 10. Sway - Martin, Dean // 11. La Enganadora - Gonzalez, Ruben // 12. Baby Won't You Please Come Home - Horrocks, Jane & Dean Martin // 13. Ojala - Kassav // 14. Como Ves - Ozomatli // 15. No Me Dejes De Querer (Flores Del Caribe mix) - Estefan, Gloria // 16. London By Day - Boswell, Simon // 17. Love - Ferguson, Craig // 18. Yes Sir I Can Boogie - Miranda, Nina

Forget Paris

  • The romantic life of NBA referee Billy Crystal is on the rebound when he falls for airline employee Debra Winger. Crystal also directs this transatlantic comedy slam dunk with top-notch supporting cast of comedy pros, including Joe Mantegna, Cathy Moriarty and William Hickey.Running Time: 103 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Age: 053939250121 UPC: 0
The romantic life of NBA referee Billy Crystal is on the rebound when he falls for airline employee Debra Winger. Crystal also directs this transatlantic comedy slam dunk with top-notch supporting cast of comedy pros, including Joe Mantegna, Cathy Moriarty and William Hickey.Billy Crystal plays Mickey, a basketball referee who has to accompany his estranged father's body to France, where the old man requested to be buried with the other members of his D-Day platoon. Unfortunately for Mickey, the airline loses his body. Fortu! nately for Mickey, this leads him to meet Ellen (Debra Winger), an airline executive who takes personal charge of the case and even joins him at the funeral. A whirlwind Paris romance leads to marriage, but that's when the complications begin... The story of Mickey and Ellen's marriage is recounted by their friends (played by Joe Mantegna, Cynthia Stevenson, Julie Kavner, Richard Masur, John Spencer, and Cathy Moriarty) as they wait for Mickey and Ellen to arrive at a dinner party. And of course these friends have their own stories, which are played out in witty shorthand as they bicker about who's going to tell the next part of the Mickey/Ellen saga. Forget Paris is uneven (unsurprisingly, Winger is stronger in the dramatic sections and Crystal in the comic parts, a schism that takes its toll on their chemistry), but its best parts hold up, even if the whole is shaky. Plus, the movie's theme (that romantic memories aren't what makes a marriage work, you have to live! in the present) is explored with conviction and tenderness. --Bret Fetzer

Kamis, 29 Desember 2011

Funny Games

  • FUNNY GAMES (DVD MOVIE)

Genre: Suspense
Rating: R
Release Date: 10-JUN-2008
Media Type: DVD Michael Haneke is a modern master, which his spellbinding films Cache and The Piano Teacher proved to an international audience. When it came time for a Hollywood remake of his ultra-disturbing 1997 picture Funny Games, who better than Haneke himself to helm the new version? And indeed, the second Funny Games bears the impeccable sense of control and technique that the Austrian version had: it is a horrifyingly precise account of a family terrorized by two psychopathic young thugs at a vacation home. For anyone who's already seen the '97 film, this new one--a nearly shot-by-shot transcription of the original--will seem superfluous, no matter how impressive the performances of Naomi Watts and Tim Roth are. (Michael Pitt and Brady Corbe! t are suitably creepy as their menacers, too.) For newbies, the movie might be as infuriating and thought-provoking as Haneke intends it to be. That's because Funny Games is an intellectual game itself, a direct rebuke to the audience that gobbles up gratuitous violence and cynical manipulation. Haneke sets up our expectations, and then refuses to provide the conventional catharsis… or the conventional anything. All of this was pretty bracing in the first go-round, but feels like gamesmanship in the remake. Even if you dig what Haneke's up to, this is a brutal movie-watching experience. --Robert HortonStudio: Kino International Release Date: 03/11/2008 Run time: 104 minutesIt is impossible to have a neutral opinion about the Austrian thriller Funny Games--a movie so relentless in its ability to shock that it gained pariah status on the film festival circuit in 1997. In the warped tradition of A Clockwork Orange, Henry: Portrait of a Serial Killer! , and Blue Velvet, this is a film--directed with el! ectrifyi ng audacity by Munich-born Michael Haneke--that addresses the controversy of screen violence by making the viewer as guilty as the Leopold and Loeb-like killers who terrorize a young family of three during their summer vacation. They arrive as friendly neighbors, seducing the family with phony congeniality, but soon Funny Games reveals its devious strategy, turning savage and appalling... and completely captivating for those who can endure the terror. There's actually less violence than you'd see in a typical American horror flick such as Scream, but Haneke's forceful staging effectively fulfills his agenda of viewer complicity; we vividly experience this doomed family's fate and feel helpless to save them. So helpless, in fact, that Haneke dares to offer a hint of respite by giving a victim the upper hand, only to "replay" the same scene with the darkest of outcomes. Funny Games is guaranteed to outrage some viewers with its manipulative schemes, but th! ere's no denying the film's visceral impact, generated by Haneke's expert handling of a superior cast. Don't even think of allowing anyone under age 17 to watch this film; all others should proceed with caution. --Jeff Shannon

Summer Heights High

  • In this hilarious series set in a real Australian high school, actor/comedian Chris Lilley stars as three different characters: a vain drama teacher, a self-absorbed boy, and a haughty female exchange student. Hysterical, absurd and frequently shocking, Summer Heights High reveals a world where small issues become huge, social groups are critical, young minds are molded, hopes are shattered and dr

From the author of The Works: Anatomy of a City comes a gorgeous graphic tour through the inner workings of skyscrapers.

The skyscraper is perhaps the most recognizable icon of the modern urban landscape. Providing offices, homes, restaurants, and shopping to thousands of inhabitants, modern skyscrapers function as small cities- with infrastructure not unlike that hidden beneath our streets. Clean water is provided to floors thousands of feet in the sky; elevators ! move people swiftly and safely throughout the building; and telecom networks allow virtual meetings with people on other continents. How are these services-considered essential, but largely taken for granted- possible in such a complex structure? What does it really take to sustain human life at such enormous heights?

Exploring the interconnected systems that make life livable in the sky is the task of Kate Ascher's stunningly illustrated The Heights: Anatomy of a Skyscraper. Ascher examines skyscrapers from around the world to learn how these incredible structures operate. Just how do skyscrapers sway in the wind, and why exactly is that a good idea? How can a modern elevator be as fast as an airplane? Why are skyscrapers in Asia safer than those in the United States? Have new safeguards been designed to protect skyscrapers from terrorism?

What happens when the power goes out in a building so tall? Why are all modern skyscrapers seemingly made! of glass, and how can that be safe? How do skyscrapers age, ! and how can they be maintained over decades of habitation? No detail is too small, no difficulty too big to escape Ascher's encyclopedic eye.

Along the way, The Heights introduces the reader to every type of person involved in designing, building, and maintaining a skyscraper: the designers who calculate how weight and weather will affect their structures, the workers who dig the foundations and raise the lightning rods, the crews who clean the windows and maintain the air ducts, and the firefighters-whose special equipment allows blazes to be fought at unprecedented heights.

More than a technical survey, Ascher's work is a triumphant ode to the most monumental aspect of modern civilization. Saturated with vivid illustrations and unforgettable anecdotes, The Heights is the ultimate guide to the way things work in the skyscraper.

Five New Yorkers must make decisions overnight that will affect their futures.
Genre: Feature Film-D! rama
Rating: R
Release Date: 2-MAY-2006
Media Type: DVDWith wit and sympathy, Heights traces the crossed paths and messy lives of New York theater people, journalists, and artists. At the middle of everything is Isabel (Elizabeth Banks, The Sisters), a struggling photographer whose mother, Diana (Glenn Close, Dangerous Liaisons), is the grand dame of the theater world. Isabel's fiance, Jonathan (James Marsden, X-Men), is being pursued by a writer for Vanity Fair about his relationship with a lionized photographer. Meanwhile, Diana, though married, casts her eye on a young actor named Alec (Jesse Bradford, Happy Endings), who lives in the same building as Isabel... This only begins to unravel the tangle, but a clever script, clean direction, and nicely pitched performances keep Heights from tripping over its own plot lines or sagging into soap opera. Close, in particular, has a blast doing an uncanny Mer! yl Streep impression, and deft supporting performances by Isab! ella Ros selini (Blue Velvet), Eric Bogosian (Talk Radio), George Segal (California Split), and musician Rufus Wainwright keep the edges of the stories lively. Heights doesn't achieve the emotional fullness of the best of Robert Altman's ensemble movies, but it stakes a claim in that cinematic territory. --Bret FetzerThis is a beautifully designed, 6"x9" large edition of Emily Brontë's classic WUTHERING HEIGHTS.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.A "devilishly delightful" (Bookpage) new novel from an Academy Award-nominated screenwriter and the author of What's Eating Gilbert Grape.

Tim and Kate Welch are seemingly the last middle-class family in the exclusive neighborhood of Brooklyn Heights, NewYork. Tim is a popular history teacher, and an ordinary guy. Kate is not ordinary, but she aspires to be. Brought up by a hippie mother, Kate stays home with their two young sons trying to be the responsible parent she never had. But their neat and tidy world is turned upside down when Anna Brody- beautiful, wealthy, and impulsive-moves into the most expensive brownstone in Brooklyn, and draws Kate and Tim into her world.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, and a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word r! eferring to turbulent weather). The narrative tells the tale o! f the al l-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, television dramatisations, a musical by Bernard J. Taylor, ballet, opera, and song.Kindle Description:Now updated with an Active Table of Contents.
Wuthering Heights is a gothic novel, and the only novel by Emily Brontë. It was first published in 1847 under the pseudonym Ellis Bell, a! nd a posthumous second edition was edited by her sister Charlotte.

The name of the novel comes from the Yorkshire manor on the moors on which the story centres (as an adjective; wuthering is a Yorkshire word referring to turbulent weather). The narrative tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them.

Now considered a classic of English literature, Wuthering Heights met with mixed reviews by critics when it first appeared, mainly because of the narrative's stark depiction of mental and physical cruelty. Though Charlotte Brontë's Jane Eyre was initially considered the best of the Brontë sisters' works, many subsequent critics of Wuthering Heights argued that its originality and achievement made it superior. Wuthering Heights has also given rise to many adaptations and inspired works, including films, radio, televi! sion dramatisations, a musical by Bernard J. Taylor, ballet, o! pera, an d song.In this hilarious series set in a real Australian high school, actor/comedian Chris Lilley stars as three different characters: a vain drama teacher, a self-absorbed boy, and a haughty female exchange student. Hysterical, absurd and frequently shocking, Summer Heights High reveals a world where small issues become huge, social groups are critical, young minds are molded, hopes are shattered and dreams are realized.

DVD Features:
Deleted Scenes
Outtakes

Australian writer/performer Chris Lilley specializes in the comedy of narcissism. All three of his characters in the mockumentary series Summer Heights High are blindly, maddeningly self-absorbed: Mr. G, a drama teacher who writes and directs his own musicals; Ja'mie, a preening 16-year-old from a wealthy private school who views her year at public school as purgatory; and Jonah, a Tongan juvenile delinquent who's been previously expelled from two other schools. The series' 8! episodes follow these three as they seek to find some form of fame and adulation.Mr. G struggles to create a musical about a student who recently died of a drug overdose... only it becomes increasingly about a heroic drama teacher whose dog dies in an accident; Ja'mie desperately wants to stage a formal dance and will lie, bribe, and manipulate to do it; and Jonah wants to do breakdancing with his posse, but he's simply incapable of keeping himself from insulting his teachers and getting into fights with other students. While Mr. G and Ja'mie are blinkered monsters, Jonah verges on tragic, as he stumbles towards increasing self-destruction. The thoroughness of Lilley's creations is impressive, as the comedian loses himself fully in these characters. Still, some viewers may find them more aggravating than funny; just a hint of self-awareness might have made them a little easier to spend time with. But for anyone who connects with Lilley's humor, Summer Heights High! will be a feast of juicy, unfiltered, rampaging egomania. --Bret Fetzer



Stills from Summer Heights High (Click for larger image)






 


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